'I', not me!
 

     The theme of my project is the person himself on the way to self-knowledge and whether a work of art can fulfill one or more practical purposes in addition to aesthetic experiences. Somehow, I always find myself where the boundaries of fine art and applied art blur. Here's a product - let's call it - that can be worn as a jacket, but can also be used as a blanket or as a fun interactive photo screen with a cut-out face.

Why me? Why is this a central theme? In the esoteric approach, abstract concepts are associated with the organs, including the stomach, liver and intestines, e.g.: "I" problems, letting go and fear of the new. The humor of the grotesque is created in interaction as a screen with cut-out faces.

Fictional tale

     In Sül, which is a small settlement in the southern part of the highlands, I experienced the village experiences of my childhood here. Among them was the peasant attitude, when my father pushed the loaded wheelbarrow full of mowed grass back to the hens and we milked the goats. However, this story will not be about my puppy or the chased swans, not even about sledding down the winter canal on large doggy bags, but about a radical action, RABBIT CUTTING! I remember the rabbit hanging by its hind legs on the door frame, frantically scrambling for its life. One big blow, and with one movement my father put the wheelbarrow under it. First he cut it open from the stomach to the chest, suddenly all of his internal organs literally spilled into the wheelbarrow, and then he carefully scraped out the rest. He cut off his head and peeled off the covering of fur from his flesh. He was completely naked, only his flesh and fat were visible, he didn't even look like himself. He took off this piece of meat and for lunch the next day, my mother made delicious venison, maybe from Hópihe, but I think Rudolf...or Júlia? I don't remember anymore because that was the fate of all of them. The hind legs hung on the door frame for days, perhaps as a deterrent.